PIMP MY DEATH - Recently Updated Pages

ASK WALT'S HEAD

pimpmycoffin — Thu, 31 Jan 2008 09:53:29 CST

WALT DISNEY’S CRYOGENICALLY FROZEN HEAD
ANSWERS YOUR COFFIN QUERIES AND OTHER CONCERNS ABOUT THE AFTERLIFE

Hi Walt, could you tell me who invented coffins?

Coffins were invented by Lord Ludwig Coffin in 1879, but didn’t catch on until the 1900s
when they were popularised by Boris Karloff in movies such as ‘Carry On Follow That Coffin’ etc.

Dear Mr. Walt’s Head - Is it safe to buy a used coffin?

I would strongly advise against this. There are many unscrupulous dealers out there who think nothing of making cut & shut coffins. These coffins, which look perfectly normal, are actually made up of two or more dodgy coffins in chop shop chapels of rest. At certain speeds, these coffins can break in two, causing injury to pallbearers and mourners alike, so the message as always has to be ‘BUYER BEWARE’

Hey, cryo-cranium - I've been really depressed just lately, but I can't decide whether or not to end it all and commit suicide - any advice?

Sure - hang yourself with a bungee rope

Hello W.H. - My Uncle died the other day and the family have given me the job of choosing the music for his funeral service - any suggestions?

It's important to choose something personal to your Uncle for his service.
'Freezer Jolly Good Fellow' went down quite well at mine.

GOT A QUESTION FOR WALT'S HEAD?

askwaltshead@hotmail.com

Home

pimpmycoffin — Thu, 31 Jan 2008 09:43:41 CST

Here At Pimp My Death, We Offer A Just A Few

Ideas To Enhance That Fond Farewell
Plus Other Tasteful Death-Related Items
Which We Feel Will Be Of Interest
To One And All

OUR PROMISE

WE AREN'T SELLING ANYTHING, SO YOU'LL NEVER BE ASKED TO MAKE
THE DIFFICULT CHOICE BETWEEN A BOTTOM OF THE RANGE DVD PLAYER
OR A TACKY DIGITAL CAMERA AS A WELCOME GIFT WHEN VIEWING THIS SITE!

Was She, Wasn’t She? Momentarily Take Mourners Minds Off Their Grief
As They Try To Figure Out If That Really Is Mary Magdalene Or Just Some Effeminate Apostle

Never Did The Right Thing In Life? Always Put Yourself Before Others?

You Needn’t Worry About All That With The Hell Hath No Fury Coffin.

(Guaranteed To Keep The Flames Of Hades At Bay For Centuries)

Life Needn’t End At 40 – Unless You Were An Overweight Buffoon Who Decided To Take Up Tennis

To Get In Shape After Your Wife Ran Off With That Guy She Met On MySpace.
Yes, It’s Game Set & Match With This Stylish Yet Tasteful Cadaver Sports Holdall

Give The Rockin’ Rebel In Your Life An Appropriate Send-Off

With the Rebel Without A Brain Casket. (All Bands Available)

The Newly Developed Pearly Bill Gates Casket Ensures They Rest As They Lived -

With A Computer At Their Fingertips!

(Free Maggo-Cam With All Deluxe Models)

Ensure That Your Late Heavy Smoking Gay Loved One Gets One Last Puff

With The Cigophagus. (Most Cigarette Brands Available)

A Fitting Receptacle For That Blind Relative Who Spent All Their

Time Basket Weaving At The Local Community Centre

The Ideal Send-Off For Your Sado-Masochistic Loved One

A Tasteful Acknowledgment Of Their Lifelong Texting Obsession

You Paid For 'Em - Now Show Some Respect For 'Em!

CLICK THE DEATH CLOCK IF YOU DARE!

GIRLS & CORPSES

pimpmycoffin — Thu, 31 Jan 2008 09:37:16 CST

Ouija History

pimpmycoffin — Wed, 30 Jan 2008 04:46:47 CST

Some people believe that that Ouija boards are ancient and go back as far as 500 BC. Ouija boards as we know them are very young compared to older methods of divination.

Similar devices may have existed, but Ouija boards, being a flat surface with the alphabet and numerals on it, with a planchette for choosing letters and numbers, didn't come along until much later.

No one seems to know just who invented the Ouija board but it may have been Elijah Bond, since his name is on the original patent documents as the inventor. It may have been Charles Kennard, but regardless of who actually invented the board, he and Kennard Novelty Company patented the ouija board which became very popular at the turn of the twentieth century. He received the patent on February 10, 1891. He called the new creation 'Ouija' because he claims the board told him that Ouija was Egyptian for Good Luck.
He began producing the Ouija boards (also called Egyptian Luck boards) in 1890. They sold for $1.50 and they were made of solid wood. The boards were huge and so were the planchettes.

After only another year, Charles Kennard left the Ouija business and a man who worked for Kennard Novelty Company took over. His is probably the best known name in Ouija history. This man was William Fuld. His name is on every genuine Ouija board made for over 100 years until Parker Brothers took over in the 1990s.

William Fuld (along with his brother and business partner Isaac) changed the Kennard Novelty Company to the Ouija Novelty Company and continued selling boards large numbers of them. When Isaac was fired and set up his own shop, the company name was changed again to the William Fuld Company.

William Fuld then owned all rights to the Ouija board. He claimed that he invented the board. He also said that the name Ouija was a mixture of the French and German words for 'yes' Oui and Ja, therefore Ouija. After his death in 1927. His children took over the business and continued selling the boards through the great depression up until 1966 when they retired. This is when the Ouija board rights went to Parker Brothers. The first wooden boards Parker Brothers produced were well made, but then the boards went from hardboard to tightly-pressed paper, to cardboard.

Today, the only wooden boards in production are made by individual craftsmen.

FOR FURTHER INFORMATION
CONTACT WILLIAM FULD VIA OUR ONLINE OUIJA PAGE

GASTON GAYE

pimpmycoffin — Sun, 27 Jan 2008 14:24:34 CST

Play The Gaston Gaye Experience

LINKS

pimpmycoffin — Sun, 20 Jan 2008 15:07:23 CST

TAROT HISTORY

pimpmycoffin — Thu, 10 Jan 2008 15:55:38 CST

By Claire Voyant

While the exact origins of tarot remain unknown, early references exist for the usage of tarot as a game in 15th century Italy.

Some early tarot decks of Northern Italian origin, dating from the early to mid-15th century, have survived. These were called carte da trionfi, or 'triumph cards.'

When the tarot was first used for divination is not known, but no documented examples exist prior to the 18th century.

However divination using similar cards is in evidence as early as 1540; a book entitled The Oracles of Francesco Marcolino da Forli shows a simple method of divination using the coin suit of a regular playing card deck.

Manuscripts from 1735 (The Square of Sevens) and 1750 (Pratesi Cartomancer) document rudimentary divinatory meanings for the cards of the tarot, as well as a system for laying out the cards.

In 1765, Giacomo Casanova wrote in his diary that his Russian mistress frequently used a deck of playing cards for divination.

In 1781 Antoine Court de Gébelin wrote a speculative history and a detailed
system for using tarot for divination. Since the publication of this history, various explanations have been given for the origins of tarot, most of them of doubtful veracity. There's no evidence for any tarot cards prior to the hand-painted ones
that were used by Italian nobles, though some esoteric schools
place tarot's origin in Ancient Egypt or Ancient India.

The relationship between tarot cards and playing cards is well documented. Playing cards appeared in Christian Europe during the period 1375–1380, following several decades of use in Islamic Spain (see playing card history for discussion of its origins). Early European sources describe a deck with typically 52 cards, like a modern deck with no jokers. The 78-card tarot resulted from adding 21 trumps and The Fool — analogous to the modern joker — to an early 56-card variant (14 cards per suit).

A greater distribution of playing cards in Europe can, with some certainty, be given from 1377 onwards. Tarot cards appear to have been developed some 40 years later and they are mentioned in the surviving text of Martiano da Tortona. Da Tortona's text thought to have been written between 1418 and 1425, since in 1418 the confirmed painter Michelino da Besozzo returned to Milan, and Martiano da Tortona died in 1425. It cannot be proven that tarot cards did not exist earlier than this date, but it seems improbable as the Martiano da Tortona text was written at least 15 years earlier than other corroborating documents.

Da Tortona describes a deck similar to tarot cards in many specific ways. What he describes is more a precursor to tarot than what we might think of as 'real' tarot cards. For instance, his deck has only 16 trumps, its motifs are not comparable to common tarot cards (they are Greek gods) and the suits are four kinds of birds, not the common Italian suits.

What makes da Tortona's deck similar to tarot cards is that these 16 cards are obviously regarded as trump cards in a card game; about 25 years later, a near-contemporary speaker, Jacopo Antonio Marcello, called them a ludus triumphorum, or 'game winner'. The letter in which Marcello uses this term has now been documented and translated.

The next documents that seem to confirm the existence of objects similar to tarot cards are two playing card decks from Milan (Brera-Brambrilla and Cary-Yale-Tarocchi) — extant, but fragmentary — and three documents, all from the court of Ferrara, Italy. It is not possible to put a precise date on the cards, but it is estimated that they were made circa 1440.

The three documents date from 1 January 1441 to July 1442, with the term trionfi first documented in February 1442. The document from January 1441, which used the term trionfi, is regarded as unreliable; however, the fact that the same painter, Sagramoro, was commissioned by the same patron, Leonello d'Este, as in the February 1442 document, indicates that it is at least plausibly an example of the same type.

After 1442 there is some seven years without any examples of similar material, which gives no reason to conclude a greater distribution of the game during these years. The game seemed to gain in importance in the year 1450, though, a Jubilee year in Italy, which saw many festivities and movement of pilgrims.

Until this time all relevant early documents point to the origin of the trionfi cards as being in the upper class of Italian society, specifically to the courts of Milan and Ferrara. At the time, these were the most exclusive courts in Europe. In the given context, it seems apparent that the special motifs on the trumps, which were added to regular playing cards with a 'four suits of 14 cards' structure, were ideologically determined. They are thought to show a specific system of transporting messages of different content; known early examples show philosophical, social, poetical, astronomical, and heraldic ideas, for instance, as well as a group of old Roman/Greek/Babylonian heroes, as in the case of the Sola-Busca-Tarocchi (1491) and the Boiardo Tarocchi poem (produced at an unknown date between 1461 and 1494). For example, the earliest-known deck, extant only in its description in Martiano's short book, was produced to show the system of Greek gods, a theme that was very fashionable in Italy at the time. Its production may well have accompanied a triumphal celebration of the commissioner Filippo Maria Visconti, ruler of Milan, meaning that the purpose of the deck was to express and consolidate the political power in Milan (as was common for other artworks of the time). The four suits showed birds, motifs that appeared regularly in Visconti heraldry, and the specific order of the gods gives reason to assume that the deck was intended to imply that the Visconti identified themselves as descendants from Jupiter and Venus (which were seen not as gods but deified mortal heroes).

This first known deck seems to have had the standard ten numbered cards, but kings as the only court card, and only 16 trumps. The later standard (four suits of 14 plus 22) took time to settle; trionfi decks with 70 cards only are still spoken of in 1457. No corroborating evidence for the final standard 78-card format exists prior to the Boiardo Tarocchi poem and the Sola Busca Tarocchi.

Individual researchers' opinions are that the trionfi decks of the early time primarily had five suits of fourteen cards only; the trumps and the fool were simply considered as a fifth suit with predefined trump function.
The oldest surviving tarot cards are three early to mid-15th century sets, all made for members of the Visconti family. The oldest of these existing tarot decks was perhaps painted to celebrate a mid-15th century wedding joining the Visconti and Sforza families of Milan, probably painted by Bonifacio Bembo and other miniaturists of the Ferrara school. Of the original cards, 35 are in the Pierpont Morgan Library, 26 are at the Accademia Carrara, 13 are at the Casa Colleoni and four — the Devil, the Tower, the Three of Swords and the Knight of Coins — are lost, or possibly were never made. This 'Visconti-Sforza' deck, which has been widely reproduced, combines the suits of swords, batons, coins and cups and the court cards king, queen, knight and page with trumps that reflect conventional iconography of the time to a significant degree.
For a long time tarot cards remained a privilege for the upper class of society, and, although some sermons inveighing against the evil inherent in cards can be traced to the 14th century, the Roman Catholic Church and most civil governments did not routinely condemn tarot cards during tarot's early history. In fact, in some jurisdictions, tarot cards were specifically exempted from laws otherwise prohibiting the playing of cards.

As the earliest tarot cards were hand-painted, the number of the decks produced is thought to have been rather small, and it was only after the invention of the printing press that mass production of cards became possible. Decks survive from this era from various cities in France (the best known being a deck from the southern city of Marseilles). At around the same time, the name tarocchi appeared.

The Modern 78 Card Tarot Deck Has Two Distinct Parts

The Major Arcana (Greater Secrets)
Known as the trump cards, consists of 21 cards without suits, plus a 22nd card, The Fool, which is often given the value of zero: The Fool, The Magician, The High Priestess, The Empress, The Emperor, The Hierophant, The Lovers, The Chariot, Strength, The Hermit, Wheel of Fortune, Justice, The Hanged Man, Death, Temperance, The Devil, The Tower, The Star, The Moon, The Sun, Judgement, and The World.

The Minor Arcana (Lesser Secrets)
Consists of 56 cards (sometimes referred to as pips), divided into four suits of 14 cards each: ten numbered cards and four court cards. The court cards are the page, the knight, the queen and the king. The traditional Italian suits are swords, batons, coins and cups; in modern tarot decks, however, the batons suit is often called wands, rods or staves, while the coins suit is often called pentacles or disks.

A variety of styles of tarot decks and designs have existed and a number of typical regional patterns emerged. Historically, one of the most important designs is now usually known as the Tarot de Marseilles. This standard pattern was the one studied by Court de Gébelin, and cards based on this style illustrate his Le Monde primitif. The Tarot de Marseilles was also popularized in the 20th century by Paul Marteau. Some current editions of cards based on the Marseilles design go back to a deck of a particular Marseilles design that was printed by Nicolas Conver in 1760. Other regional styles include the "Swiss" Tarot; this one substitutes Juno and Jupiter for the Papess, or High Priestess and the Pope, or Hierophant. In Florence an expanded deck called Minchiate was used; this deck of 96 cards includes astrological symbols and the four elements, as well as traditional Tarot cards.

Interestingly, some people view the older decks such as the Visconti-Sforza and Marseilles as crude and limited when compared to some modern ones for divination purposes.This reflects their belief that Tarot symbolism has evolved, especially since the early 20th century, so that it has become increasingly universal. A Marseilles-type deck is usually distinguished by having repetitive motifs on the pip cards as opposed to full scenes found on 'Rider-Waite' style decks.

Some decks exist primarily as artwork; and such 'art decks' sometimes contain only the 22 cards of the Major Arcana. Esoteric decks are often used in conjunction with the study of the Hermetic Qabala; in these decks the Major Arcana are illustrated in accordance with Qabalistic principles while the numbered suit cards (2 through 10) sometimes bear only stylized renderings of the suit symbol. However, under the influence of the Rider-Waite-Smith deck, decks used in the English-speaking world for divination often bear illustrated scenes on the numeric cards to facilitate divination. The more simply illustrated 'Marseilles' style decks are nevertheless used esoterically, for divination, and previously for game play. (Note that the French card game of tarot is now generally played using a relatively modern 19th-century design of German origin. Such Tarot decks generally have 21 trumps with genre scenes from 19th-century life, a Fool, and have court and pip cards that closely resemble today's French playing cards.)

An influential deck in English-speaking countries is the Rider-Waite deck (sometimes called simply the Rider deck). (See also discussion of the general expression 'Rider-Waite-Smith' below, to indicate a category of decks that includes the 'Rider-Waite' deck as well as decks which use the line drawings of the Rider-Waite deck, such as the Universal Waite deck, or decks using scenes on the pip cards as opposed to simple motif repetition.) (In contrast, in French-speaking countries, the Marseilles deck enjoys the equivalent popularity.) The images were drawn by artist Pamela Colman-Smith, to the instructions of Christian mystic and occultist Arthur Edward Waite, and originally published by the Rider Company in 1910.

While the deck is sometimes known as a simple, user-friendly one, its imagery, especially in the Trumps, is complex and replete with occult symbolism. The subjects of the trumps are based on those of the earliest decks, but have been significantly modified to reflect Waite and Smith's view of Tarot. An important difference from Marseilles-style decks is that Smith drew scenes on the numeric cards to depict divinatory meanings; those divinatory meanings derive, in great part, from traditional cartomantic divinatory meanings (e.g., Etteilla and others) and from divinatory meanings first espoused by The Hermetic Order of the Golden Dawn, of which both Waite and Smith were members. However, it isn't the first deck to include completely illustrated numeric cards. The first to do so was the 15th-century Sola-Busca deck; however, in this case, the illustrations apparently were not made to facilitate divination.

Numerous other decks that are loosely based on Rider-Waite have been published from the mid-20th century through today. They are sometimes called Rider-Waite-Smith clones; however, the term is misleading. They are not exact copies as the term clone would imply. Instead, they are variations.

A widely-used esoteric Tarot deck is Aleister Crowley's Thoth Tarot (pronounced /təʊt/ or /θɒθ/). The often controversial Crowley engaged the artist Lady Frieda Harris to paint the cards for the deck.

In contrast to the Thoth deck's colourfulness, the illustrations on Paul Foster Case's B.O.T.A. Tarot deck are black line drawings on white cards; this is an unlaminated deck intended to be coloured by its owner. Other esoteric decks include the Golden Dawn Tarot, which is apparently based on a deck by SL MacGregor Mathers. Numerous other decks exist, including the Tree of Life Tarot whose cards are stark symbolic catalogs, and the Cosmic Tarot.

The Marseilles-style Tarot decks generally feature numbered minor arcana cards that look very much like the pip cards of modern playing card decks. The Marseilles' numbered minor arcana cards do not have scenes depicted on them; rather, they sport a geometric arrangement of the number of suit symbols (e.g., swords, rods, cups, coins) corresponding to the number of the card (accompanied by botanical and other non-scenic flourishes), while the court cards are often illustrated with flat, two-dimensional drawings.

Other modern decks created since the time of the first publishing of the Rider-Waite deck in 1909 vary in their card imagery. The variety is almost endless, and grows yearly. For instance, cat-lovers may have the Tarot of the Cat People, a deck complete with cats in every picture. The Tarot of the Witches and the Aquarian Tarot retain the conventional cards with varying designs.

These modern decks change the cards to varying degrees. For example, the Motherpeace Tarot is notable for its circular cards and feminist angle: the mainly male characters have been replaced by females. The Tarot of Baseball has suits of bats, mitts, balls and bases; 'coaches' and 'MVPs' instead of Queens and Kings; and major arcana cards like 'The Catcher', 'The Rule Book' and 'Batting a Thousand'. In the Silicon Valley Tarot, major arcana cards include The Hacker, Flame War, The Layoff and The Garage; the suits are Networks, Cubicles, Disks and Hosts; the court cards CIO, Salesman, Marketeer and New Hire. Another tarot in recent years has been the Robin Wood Tarot. This deck retains the Rider-Waite theme while adding some very soft and colorful Pagan symbolism. As with other decks, the cards are available with a companion book written by Ms. Wood which details all of the symbolism and colors utilized in the Major and Minor Arcana.

TALKING BALLS

pimpmycoffin — Thu, 10 Jan 2008 15:45:27 CST

With Horace Cope

The history of the crystal ball can be traced as far back as to the Medieval Period in central Europe (between 500 – 1500 AD) and in Scandinavia (1050 – 1500 AD). There have always been fortunetellers throughout history as well. Religious sciences tell us, for example, about Apollo’s (the Greek God of prophesy) oracle priestess, Pythia who had powers (1500 B.C.)

Used by Seers, Fortunetellers, Psychics, and Sorcerers, the Crystal Ball seems to be one of the most well-known and popular forms of scrying, as well as a divination tool. Scrying is the name given to the ancient technique of gazing into an object such as a crystal ball or a bowl of water.

It is usually physically, ritually or spiritually, cleansed before each use for purification purposes. When a crystal is used, scrying is known as crystallomancy.

Using crystals in the divination of one’s past, present, and future traditionally played a key role in the decision-making process of many powerful leaders throughout history. One of the most notable was King Arthur, who sought out the advice and prophecies of Merlin the Magician. In more recent history, Nancy Reagan, the first lady of then President Ronald Reagan, avidly used psychics to help plan her husband’s domestic & foreign affairs.

One of the earliest uses of crystals in scrying comes from the Druids, who used Beryllium Aluminum Silicate (Beryl), a natural gemstone whose characteristics range from transparent to translucent. Scottish Highlanders termed these objects 'stones of power'.

Early crystal balls were made from Beryl, later replaced by spheres made of rock crystal. The reason crystals in particular became important tools for scrying and other metaphysical aspects is because of their inherent characteristics of transparency and regularity of their patterns, called symmetry. Additionally, the energetic fields of crystals influence what the scryer 'sees' on a very subtle and often esoteric level.

PIMP MY HEARSE

pimpmycoffin — Thu, 10 Jan 2008 15:38:02 CST

Choosing The Correct Level Of Pimped Transportation Is Essential To Any Successful Send-Off

Demonstrate How Much You Really Cared
With Our Recommended Meat Wagons

DEAD FAMOUS

pimpmycoffin — Thu, 10 Jan 2008 15:33:37 CST

By Popular Demand

Proudly Presents

ONLINE OUIJA

pimpmycoffin — Tue, 27 Mar 2007 14:19:49 CDT

They May Be Dead, But That Doesn't Mean
You Can't Keep In Touch!

Take The Stress Out Of

Afterlife Communication

With Our Amazing

IMPORTANT - PLEASE READ INSTRUCTIONS BELOW BEFORE COMMENCEMENT

FOLLOW THESE INSTRUCTIONS CAREFULLY FOR THE BEST RESULTS IN ONLINE OUIJA

PLACE CURSOR IN CENTRE OF BOARD

REST INDEX FINGER LIGHTLY ON MOUSE / MOUSEPAD

CALL NAME OF DECEASED YOU WISH TO CONTACT REPEATEDLY AT 20 SECOND INTERVALS

WATCH IN AMAZEMENT AS YOUR CURSOR BEGINS TO SPELL OUT MESSAGES FROM THE AFTERLIFE

DISCLAIMER

PIMP MY DEATH CANNOT BE HELD RESPONSIBLE FOR ACCIDENTAL
DEMONIC POSSESSION OR INADVERTENT HELLISH MANIFESTATIONS
RESULTING FROM THE USE OF ONLINE OUIJA

DARK ART GALLERY

pimpmycoffin — Wed, 07 Feb 2007 03:14:28 CST

FUNERAL CATERING

pimpmycoffin — Tue, 06 Feb 2007 19:09:52 CST

You Invited 'Em - Now You Gotta Feed 'Em!

Authentic Funeral Recipes

To Help Solve Your Catering Problems On The Big Day

Amish Funeral Cake

INGREDIENTS:

1 cup butter, at room temperature
1 cup granulated sugar
1 cup dark brown sugar
2 teaspoons vanilla extract
3 cups all-purpose flour
1½ teaspoons salt
2 cups buttermilk (see note)
Topping (recipe follows)

DIRECTIONS:

Preheat oven to 350 F. Grease a 9x13-inch baking pan.

In mixing bowl, cream butter with both of the sugars for 3 minutes. Add vanilla extract, blending well.

Mix the flour and salt in a separate bowl. Add a little of the flour mixture to the butter mixture, stirring until well blended. Stir in a little of the buttermilk. Continue adding the flour and buttermilk, alternating with each addition.
When all the flour and buttermilk has been incorporated, pour into prepared pan and bake
for 35 minutes or until top springs back when touched lightly in the center.

While cake is baking, combine topping ingredients. When cake is done, remove from oven and change oven setting to broil. Pour topping mixture over the cake and set pan about 8 inches from broiler heat. Broil 3 minutes or until the topping is brown and bubbly. Remove from broiler and cool on a rack. Makes 12 servings.

TOPPING:

Combine 7 tablespoons butter, melted; 1 cup dark brown sugar; 1/4 teaspoon nutmeg, preferably freshly grated;
1/4 cup milk; and 1/2 cup chopped pecans or walnuts.

NOTE:

There is no baking powder or baking soda in this cake.

PER SERVING:

Cal 567 (41% fat) Fat 26 g (14 g sat) Fibre 1 g Chol 62 mg Sodium 575 mg Carb 79 g Calcium 94 mg

BETTER TOMBS & GARDENS

pimpmycoffin — Tue, 06 Feb 2007 18:58:15 CST

MUSIC

pimpmycoffin — Tue, 06 Feb 2007 15:33:37 CST

MOST FARTED

pimpmycoffin — Tue, 06 Feb 2007 15:21:47 CST

Ouija Boards

pimpmycoffin — Tue, 30 Jan 2007 05:19:36 CST

Back Issues

pimpmycoffin — Mon, 18 Dec 2006 12:17:21 CST